Through the years, Paul Harris returned to his wax and pigment drawings with subjects ranging from still lifes to abstracts, from figures to landscapes and many more in between. Although known as a sculptor, his go-to medium remained the art crayon.
Harris’ drawings pulsate with energy as the movement he puts into the pieces, etched into the composition, can be felt as much today as the moment they were created. The lines, nearly frantic with color, keep the eye traveling, yes, but they also keep the mind engaged in the images, searching, reaching, in continuous dialog with the viewer.