Multi-disciplinary artist Sharon Kagan uses string as both object and metaphor. Referencing DNA and string theory, she hopes to make tangible the knowledge of physicists and mystics, “that all matter is composed of rapidly moving energy. Nothing is solid and nothing is separate. Everything is vibrating.”
After her mother died in 2003, Kagan found comfort in knitting; it soothed her grief and provided a physical expression of continuity and connection. She notes that although her mother didn’t think of herself as an artist,“her amazing hand skills” included knitting, sewing, and embroidery. Kagen created a series of sculptures in her mother’s memory, based on knitting and nets.
These sculptures inspired her recent drawings and paintings. She begins by making close-up digital photographs of knitted rope and string using low light and shallow depth of field. This adds blur, pixilation, and random digital “artifacts” to the images. Kagen outlines and enhances the patterns on printed enlargements, contrasting flat, geometric grids against the organic, twisted threads. Some of the works are monochromatic, others brightly colored. She also uses some of these compositions as the basis for large acrylic paintings.
The Carolyn K. Ennis Family Living Trust
Linda Shelhamer & Stephen Haraden
Donald & Carol Roberts Foundation In memory of Virginia K. Weston
The Charles M. Bair Trust
Spring Season Exhibition’s Sponsor